450,00 kr

In her accompanying text, Stephanie Cash describes Icelandic photographer Spessi's works as being 'not the iconic images of tourist postcards. Instead Spessi captures the largely overlooked scenery you might pass on the way to the tourist hotspots – gas stations, construction sites, empty landscapes with snow capped mountains in the distance. Printed on a large scale, the works imbue their subjects with a grandiosity that belies their ordinariness'. Whether capturing a lone tree in a barren landscape, an empty kitchen or a humble office building, all of Spessi's work infers 'the presence of humans, whether in memory or in anticipation'.